BLOG: Miller’s Crossing

I wasn’t going to make any comments about this, but it seems that the words of a bitter, middle-aged, patriotic conservative white man in America carry a lot of steam and have rubbed a significant number of folks the wrong way.

It’s too bad – I don’t really agree with Frank Miller, but I’ve come to grips with his bristly personality many years ago. I knew about his political slant, and his dislike for things that disrupt the fabric of conservative culture. His views that ‘America is the beacon of all that is good and just in the world, and that every man woman and child born there has the God given right to life, liberty and the pursuit of happiness – the American Dream.’

It’s been evident in his comics writing. He was once lauded for his gritty portrayals of superheroes becoming anti-heroes and vigilantes. Ones that adhere to a moral code driven by the likes of Hammurabi. That seeking revenge and retribution by any means necessary is justified, if it’s for the greater good of society. That it is absolutely fine to bend the rules and break the law and dole out punishment because it’s justified. Now he is hated for it.

But these are comics – not real life. Eventually readers grow tired of seeing the same message over and over again. Don’t get me wrong, I’ve been a fan of Miller’s work for years – but he’s basically become a one-trick pony. The recycled basic idea of the world as a cesspool and society needing someone who has had enough and will do what it takes to restore and protect a level of honour or integrity that has been missing. It’s usually achieved through revenge and redemption. A classic set-up. I can’t complain – it is the construct that serves as the foundation for El Cuervo. Sure, Frank Miller didn’t invent it, but at one point in time he revolutionized comics by introducing it – and that has been his schtick. he’ll continue to do it as long as people keep buying his work.

I’m not going to put words in his mouth, but his attitude towards society is polluted. His opinions are only about protecting the integrity of America and its people, and damn everyone who dares to question these God given rights and look for better, less confrontational and aggressive ways. Because that would be weak – and America is not weak. Its people aren’t weak. Its systems aren’t weak. The country sets the world standard and its people are the ambassadors of that.

When Frank decided to go off on Occupy Wall Street protesters, branding them as dirty hippies, disorganized, disenfranchised, lazy and uncouth – as rapists and thugs and everything that is evil and corrupting to the fabric of the American ideal, I knew there was going to be a backlash. The idea that the infighting needed to stop because there was a need to stamp out a larger threat to the American ideal – terrorism and the spread of Islam – and the 99% proletariat should be ashamed of themselves for trying to tear down America.

Look – I don’t exactly agree with the way OWS is working. But it’s not my movement to lead. I have my own opinions of the movement, and they may not be things that supporters want to hear. But I wouldn’t use my site or social media as a method to make those views known. I’ve made a few comments on a friend’s post on Facebook, but never in a manner to discredit what OWS is about.

When you’re a media personality and highly revered in certain circles, you have a large audience at your command. Thus, when you spout off about a personal belief that is blindly ignorant, tactless and venomous, it is going to achieve maximum reach in a minimal amount of time – mainly because people look for that sort of behaviour to tear the person down and vilify them in turn.

Do I think Frank Miller is going to have to reap what he’s sown? Probably not – he’s achieved the same status as any other pundit, pounding the lectern about how terrorists and Muslims are assisting in destroying the fabric of American society and culture.

Have I lost respect for the guy? Not really – I never really valued his opinion just as he probably hasn’t even given a shit about mine. I knew he was a blow-hard, and I’m quite aware that his writing style is abrasive and ignorant – but I still consider him a big influence on my development in comics.

You see, his early work is what inspired me to look beyond the garish colours of the capes and cowls. That these heroes are often imperfect. They make bad decisions just like regular people. They have dark pasts and secrets just like everyone else – and when push comes to shove, react in a manner that is aggressive or confrontational. It’s the dark side of humanity – and that is what hooked me.

Is every character supposed to be like that? Hell no – but unfortunately it is in Frank Miller’s world. And what a sad little world that must be.

 

 

BLOG: Raincoats and Ramblings

The beauty of being an artist is the freedom you have to create something that speaks to people. But part of the joy in that is watching that something come to life in front of your eyes.

I’ve had a story idea kicking around in my head for a while. I was going to roll it into El Cuervo, but I felt it would end up complicating matters and padding the story in places it didn’t need padding, so it was shelved. Yesterday, I was going through some Illustration award annuals and I decided to scan copies of some of the works I felt inspired by. One image, a simple abstract illustration in sepia tones caught my eye. It was a bus, rolling down a street, with the skyline of a city in the background. It was just a bunch of simple shapes put together, but it had an Art Deco style to it that I found appealing.

This morning, I got to work and I read an article about one of the underlying premises in my story. Then the idea hit me. I opened up a Word doc, and frantically wrote a basic synopsis of how I wanted the idea to develop. Then I got to work creating a visual mood for the piece. I had mentioned I wanted to do a graphic novel using Illustrator and vector shapes – keep everything simple and geometric. I also wanted to be a bit more stylish with this new project, and the illustration I had saved the day before helped me define some of the design.

Here’s a sample of the new project I have started drawing concepts for. It has a working title, but I’m going to refer to it as Project Gabardine when I discuss it here. Check it out.

(click on the thumb for a larger version)

I liked the grainy film type look, and I wanted to keep all the shapes super simple so it would be easier to render.

So what do you think – would this be something that would appeal to you visually? I think I can squeeze this out in between the El Cuervo books I have planned (probably between Book 1 and 2).

BLOG: Influences Part 2

There’s an interesting meme making the rounds in the last 6 months or so – courtesy of Fox O’Rian over at DeviantArt. It’s called an influence map, and it is an organized cheat sheet of imagery from artists, movies and games that inspire you to create great art. Kate Beaton from Hark! A Vagrant recently did one, and it caught my eye and gave me an idea for a blog post. I’ve done an ‘influences’ blog post already – but with this map, I’ve been able to expand upon it and make it more in-depth. Check it out.

Click for a larger image.

It’s filled with all the artistic influences in my life. I may have to do a second version of this, since I haven’t included even HALF of the major ones. These are the ones with the greatest impact on my drawing and imagination. The second part will probably explore more of my artistic and creative writing influences. Here’s a quick rundown of each block and a brief reason for including them.

1) Frank Miller – the noir stories he’s involved in are a HUGE influence on my storytelling. Plus, the ability to do more with less detail is what makes his work magic. Imagination to fill in the blanks is so underrated.

2) Todd McFarlane – his work on Spider-Man and the initial work on Spawn is some of my favorite work from the early 90s. The dramatic details and edginess in character design are things that caught my eye.

3) Geof Darrow – Another hyper-detailed artist, his work on Hard-Boiled and Shaolin Cowboy is fantastic. Despite all the details, his panels never appear muddy and overworked since his linework is clean.

4) Carlos Hierro Nin (Iron) – This guy is a tattoo artist, but his contribution to Heavy Metal magazine about a miscreant bad-ass named Angel, influenced my storytelling and forced me to get darker with the subject matter.

5) Jaime and Gilbert Hernandez – Their B&W work on Love and Rockets opened my eyes to a different world of everyday lifestyle comics beyond the typical superhero stuff.

6) Peter Bagge – the artist behind HATE comics. This was one of the first indie comic artists I got into. I loved that his work was ugly and freaky looking – a big contrast from the slick Super Hero type stuff I was used to seeing.

7) Tim Bradstreet – My absolute favorite artist. His photo-realistic style and use of noir elements are the style I aspire to emulate.

8 ) Shawn Martinbrough – His work has also influenced my noir style. His inks on Batman are incredibly moody and his instruction book ‘How to Draw Noir Comics’ has been a tremendous help in crafting El Cuervo.

9) Jose Ortiz – His work with Antonio Segura has been an influence on my artistic style, allowing for more of a rougher, ‘drawn’ style rather than a clean, perfectly inked and balanced work. Every panel looks like a great piece from a sketchbook.

10) Stephen Bliss – Known for his Grand Theft Auto illustrations, Bliss’ work has helped define my work for El Cuervo, with thick outlines, and using shapes and silhouettes to create depth – forcing the viewer to use their imagination to fill in the blanks. Also, his colors are well selected. He can create subtle moods and he totally captures the feeling of living in certain Metropolitan centers in the 80s, 90s and present day.

11) Mike Mignola – A legend in the field. Using blacks to create depth and suspense, Mignola is one of my favorites and acts as a huge influence on my work.

12) Andy Kubert – His work on X-Men has always been some of my favorite Superhero comic type work. His pencils were always consistent, and before the use of Photoshop color, his work was clean enough to allow the colorists to shine through and add an extra dimension to his work, rather than muddying everything with linework and fills.

13) Katsuhiro Otomo – The AKIRA manga was my first exposure to the world of Japanese comics. It was the perfect blend of drawn comic characters and photorealistic backgrounds. Highly influential in my artwork…

14) Mad Max Trilogy – I love post-apoc styled work. The Road Warrior was the first ‘grown-up’ movie I ever watched as a kid, and Mad Max became my favorite movie growing up. Mel Gibson and I share a birthday, and after the celebrations were over, one of the local channels would play Mad Max late at night – and that is how I used to end every January 3rd. I suppose that the repeated views of the movie created my love for the post-apoc genre – I love Wasteland and Fallout and all of the after-nuke based work that is out there…

15) Leon the Professional – This is a great movie, and a lot of the themes shown in it have heavily influenced El Cuervo (and many other hitman with heart type stories.) After watching this movie, I’ve watched most of Luc Besson’s work…

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So there you have it, my influence map. What are your greatest influences? Maybe you should make a map of your own!